Browse Items (43 total)
Sort by:
The Tea Dragon Society
This book is a print adaptation of a webcomic by the same name that was first published on September 1, 2016. While it exists in both formats, the reading experience is quite different. The print version exists as a physical object, and thus has…
The Sandman: Overture, The Deluxe Edition
Pages 39 and 40 of this book stand as a great example for the sheer variety of ways text balloons can be manipulated as characterization devices. Gaiman’s Eternals are identifiable through their balloons alone. Each “speaks” in a different font,…
The Complete Calvin and Hobbes: Book One
Third cartoon strip, page 80. Time is a hard concept to represent. With comics, the gutter between panels can represent anywhere from a second passing to several million years. Typically, we approach comics with the assumption that the time between…
Scotland Yard Detective, Page 37
There are roughly eight different types of shading that are often used by artists, hatching, cross-hatching, contour-hatching, contour cross-hatching, diverse hatching, stippling, scribbling, and ink wash. This work is an amazing example of the…
Scotland Yard Detective, Page 1-A
This piece is an excellent example of dynamic composition. In this scene a group of people with clubs and torches startle the horses drawing a coach, and the coach begins to overturn. Each part of the image, from the buildings to the characters,…
Rosewood cabinet from James Branch Cabell's home
Books written by or about Cabell were held in this rosewood cabinet in the main parlor of his house on Monument Avenue. It contained some 200 volumes, many of which were different editions of his works. That cabinet, now on display in the Cabell…
Rose and Thorn
The world we live in creates a certain set of expectations. We expect the sun to be bright, and things blocked from its light to be dark. We look outside and we expect the sky to be blue, or the grass to be green. Subverting these expectations can be…
Paper Girls
With the four main characters sketched in black against a yellow field, bold pink lettering, and a single smoke trail of white, The cover of Paper Girls was made to be eye-catching. Yellow is the most reflective of all the colors, meaning that it is…
Newell post with lamp
This ornamental newel post once stood at the end of the staircase of 101 E. Franklin St., the home to Cabell's maternal grandparents, Col and Mrs. James R. Branch. Cabell was born in the house and was raised there. The building was demolished and…
Mantelpiece and mirror, Cabell Room, James Branch Cabell Library
This mantelpiece dates to the mid-19th century and was in the Branch House, 101 E. Franklin St., Cabell's birthplace and boyhood home. The mantelpiece was moved to Cabell's house at 3201 Monument Ave., and finally to the Cabell Room in the 1970s.
Madame Xanadu, No. 6
Pages 18 and 19. This two page spread uses jagged, stained glass inspired panels in a spiral pattern to draw the reader’s attention towards the woman curled in the lower section of the left page who is the focal point of the image. Visually this is…
Low
In this exhibition’s section about layouts, it was mentioned that color can be a powerful tool for creating emphasis. The cover of this comic paints all of the image except for the central figure in a wash of red. This contrasts strongly with the…
Kabuki
This comic is actually representative of so many different categories, it was hard choosing just one to put it into. With the nonlinear imagery, collage arrangement of panels, and watercolor color application, it could easily be the subject of a more…
James Branch Cabell, Drawing by William L'Engle
This image by L'Engle (1884-1957) appears on the back of Cabell'sThere Were Two Pirates, published in 1946.
James Branch Cabell print
This print belongs to a series on American authors by printmaker David Freed, professoremeritus of VCU School of the Arts. The woman seen in relief represents Cabell's interest in Greek literature.This work is located in the anteroom to the Cabell…
