Adèle Goodman Clark painting Maud Wood Park, 1920s
M 9 Box 238, <a href="https://archives.library.vcu.edu/repositories/5/resources/279" target="_blank" rel="noopener" title="finding aid">Adèle Goodman Clark papers, 1949 - 1978</a>, Special Collections and Archives, James Branch Cabell Library, VCU Libraries
1920s
COPYRIGHT UNDETERMINED<br /><br />The copyright and related rights status of this Item has been reviewed by the organization that has made the Item available, but the organization was unable to make a conclusive determination as to the copyright status of the Item. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. <br /><br /><a href="http://rightsstatements.org/vocab/UND/1.0/">http://rightsstatements.org/vocab/UND/1.0/</a>
Adèle Goodman Clark at her desk at the Federal Art Project, Christmas 1941
Photograph of Adèle Clark working at her desk at the Federal Art Project, Christmas, 1941. The Federal Art Project was a New Deal relief program created to employ artists and artisans. The program was sponsored by the Works Progress Administration (WPA).
M 9 Box 239, <a href="https://archives.library.vcu.edu/repositories/5/resources/279" target="_blank" rel="noopener" title="finding aid">Adèle Goodman Clark papers, 1849-1978</a>, Special Collections and Archives, James Branch Cabell Library, VCU Libraries
1941 Christmas
COPYRIGHT UNDETERMINED<br /><br />The copyright and related rights status of this Item has been reviewed by the organization that has made the Item available, but the organization was unable to make a conclusive determination as to the copyright status of the Item. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. <br /><br /><a href="http://rightsstatements.org/vocab/UND/1.0/">http://rightsstatements.org/vocab/UND/1.0/</a>
iZombie: Dead to the World
While color itself can carry meanings, lack of color can be just as important. On page 73, the main character Gwen Dylan experiences a flashback. This change in time and space is indicated to the reader through a sudden shift into balck and white. This sudden departure from the color of the rest of the book sets the flashback visually apart from the rest of the narrative. Like a photograph, the muted panels suggest that the action they hold occurred in the past instead of concurrently with the rest of the story.
Roberson, Chris, Michael Allred, and Laura Allred.
VCU Libraries, James Branch Cabell Library, Special Collections and Archives
DC/Vertigo
2011